Switching to Mac

Over the past few months I’ve been more and more intrigued with macs. I think it started just about two years ago when I got my first iPod. I realized that the design was SO elegant that it was really really well made. I still think that the iPod is an incredibly well designed music listening device – just think about the controls on it – very simple but yet it does everything you want it to. And the learning curve is not steep at all. It just makes sense and it works well.
My son, Bryan, told me that this is true of the mac computers too and so I started paying attention more. Now about ten years ago when I started teaching at Calvin they had just stopped requiring PCs for everyone because macs are particularly good for certain things and they were allowing them again but I wanted nothing to do with them. The classroom in which I taught, though, had a mac so I learned quickly that the windows interface and the mac OS were really quite close. I made the transition with little problem. My anti-mac bias started to crack.

My kids’ school, Holland Christian, is now part of a program in which every student, grades 6-12, has their own laptop computer – a mac. I went to visit the school to specifically look at this project with an IT friend from Calvin and we were very impressed. Also, this sumer, when Bethany came home for vacation for a week and a half she had her new mac and I was quite impressed with the way she could just lug it around and how quickly it would start up and work. It was very very cool. That made me think that I should try a mac but one thing was stopping me – I use GroupWise for my email, calendar and to-do list all the time and I couldn’t live with just the web interface.
Lo and behold, last week I discovered that I didn’t have to – I found out that there is a GroupWise client for mac that Calvin uses. I borrowed a mac from Calvin’s A/V and tried it out. I loved it.
So, Monday I get my own mac. I’m already starting to feel a little bit like “that guy” who is always talking about how cool macs are – I’ll try to resist but they are pretty cool.

A McCartney playlist

I recently found a Beatles blog which had a George Harrison playlist by someone who used the same rules that I recently used to make a couple of setlists so I thought I'd post mine and see what people think.

So here is my Post-Beatles McCartney setlist. There aren't many rules – it just needs to be able to fit onto one CD. That's the tricky part because that forces you to trim it down quite a bit. I also wanted this to be a good introduction to McCartney's music for someone who wasn't familiar with it and I wanted it to be a good listening experience so the order took some thought. Here's what I came up with.

	Name	Album
1	The Lovely Linda	Wingspan: Hits and History
2	Big Barn Bed	Red Rose Speedway
3	Jet	Wingspan: Hits and History
4	English Tea	Chaos and Creation in the Backyard
5	Pipes Of Peace	Wingspan: Hits and History
6	Live And Let Die	Wingspan: Hits and History
7	Motor Of Love	Flowers in the Dirt
8	Band On The Run	Wingspan: Hits and History
9	Ever Present Past	Memory Almost Full
10	Another Day	Wingspan: Hits and History
11	Mull Of Kintyre	Wingspan: Hits and History
12	Uncle Albert/Admiral Halsey	Wingspan: Hits and History
13	Only Mama Knows	Memory Almost Full
14	Beautiful Night	Flaming Pie
15	Venus And Mars / Rockshow (Single Edit)	Wingspan: Hits and History
16	Dance Tonight	Memory Almost Full
17	Maybe I'm Amazed	Wingspan: Hits and History
18	Every Night	Wingspan: Hits and History
19	Tug Of War	Wingspan: Hits and History
20	My Brave Face	Flowers in the Dirt
21	Your Loving Flame	Driving Rain

There are three big ballads on here – McCartney often ends his album with one of these – and I like them a lot but I needed to somehow put them on here in a way that made sense. So I split the 21 songs into three parts and ended each part with one of the ballads – that helped me give the list some flow. My daughter Bethany questioned the inclusion of "English Tea." Feel free to suggest other options.

A Great Headline

Every day I check my local paper on line to see what the local news is. Today's headline really impressed me as hard-hitting journalism.


Now, in fairness, there was concern that another city's water treatment plant had been the major contributor so it really is a worthwhile story but the headline made me wonder,

This Means War

As I mentioned in my previous post, U2 is going to be getting a few more of my bucks over the next couple of months and it started last week when I picked up the deluxe remastered edition of their third album, War. I am getting all three but I had to order the other two because they weren't in – which actually might be a good thing – it will spread them out for me.

First of all, the packaging is very nice. I liked the big box deluxe version of Joshua Tree very much and this, while it is a smaller (and cheaper) version it complements that one well – there is a booklet inside a slipcase which holds the two CDs as well as a number of pages of pictures, essays and information. Edge has notes on many of the tracks from the bonus CD and there are lyrics along with any notes about single releases. The sound on the remastered version of the original is fine – although there was nothing revelatory.

The bonus CD, though, is much better that I anticipated. Of the three bonus CDs this is the one I was least excited about because a look at the setlist indicates that four versions of "New Year's Day" and three of "Two Hearts Beat As One." I wasn't real excited about that. But it turns out that I really like them – the dance mixes are actually quite different and have a cool vibe to them. The other tracks are OK. One was already on the b-sides from 1980-1990 and the others are interesting but far from essential.

But the real find is the two live tracks that close out the CD, "I Threw A Brick Through a Window/A Day Without Me" and "Fire." These show a youthful U2 in full force back when they opened shows for others and had to proves themselves to the crowd in 30 minutes – and they do a fabulous job.

If you're a U2 fan then this is a must – a great version of a great album. I'm looking forward to the other two CDs more than ever now – I hope they arrive soon!

A great time for U2 fans

As I write this on my new Palm Centro as I'm sitting in an airplane somewhere between Michigan and New Jersey on a quick trip to visit my mom. Ever since I got an iPod and noise-cancelling headphones I've enjoyed listening in planes and in airports. I don't read well in moving vehicles so listening is just right.

It also gives me a bit of time to reflect on some of the listening I've been doing lately. It's been a while since we've had new U2 to listen to but that will soon change. This is going to be an exciting fall for U2 fans. This week the band released remasters of their first three albums each with a bonus disc of extras (which I won't be able to get until I return home.). But those of us who check iTunes on Tuesday mornings were surprised to find the audio from the Joshua Tree Bonus DVD now available as an album on iTunes called Live From Paris. Many of those on the internet who follow the band suggest that this is what they should have released instead of Rattle and Hum. They may be right. I listened on this flight and it's great.

All this should be enough to keep us happy until September when the long awaited DVD and CD remaster release of Under a Blood Red Sky happens.

Then, in November the NEW album hits - their first since How to Dismantle an Atomic Bomb in 2004! The has been little news about it except for a few hints here and there but I've enjoyed every one of their albums before so I'm really looking forward to it.

More free music

If you like free music - and who doesn't? - then you need to go check out Derek Webb's Noisetrade.com website. Derek discovered that giving music away in exchange for email addressed increased attendence at his shows, merchandise sales and even sales of the albums he is giving away.

So he created NoiseTrade to showcase lesser-known artists - in the past two weeks they've gone from just over 20 albums to over 40, including ones by Derek, Sandra McCracken and Sixpence None the Richer.

New Music from Sixpence None the Richer

Go to NoiseTrade to find the new EP from Sixpence None the Richer and other music - pay what you like or tell three friends!

Ringo's birthday

Today is Ringo Starr's birthday - although I suppose using his last name was utterly unnecessary. He turns 68 today and he had an interesting wish - he asked if everyone would flash a peace sign and say (shout, whisper, think ... whatever) "peace and love" at 12 noon wherever they happened to be.

This happened quite off the cuff when some TV program asked him what he wanted for his birthday and his answer just "just more peace and love." He then went on from there to say something like "why don't we all just..." and there you have it.

Ringo's old band certainly did a lot to promote peace and love in the 60's and I was one of those people who grew up thinking that peace and love are a pretty good idea, overall. So, Ringo, thanks for the music. Just in case I forget I've timed this so that it pops up right at noon.

Peace and Love.

Still watching Father's Day videos

I got some DVDs for Father's Day and I'm still working my way through them but here is a quick update:

• Serenity - it is not often that TV shows that didn't even get a complete first season turn out to be major motion pictures but this is a case where it happened. The show was Firefly, which I got for Christmas from Bethany and Meredith. They only made 14 episodes of Firefly, a space western which was pretty cool. In fact, they only aired 11 of the 14 episodes - but, as is the case with some TV shows, this one found it's footing after a few episodes and then got better as the season went on. By the time I got to the end of the season I was looking forward to seeing the movie, named after the spaceship they flew on.
  The movie did what many movies do compared to TV shows - the budget is bigger, the effects are better and the plot is also bigger. But Joss Whedon did this one up well, making it bigger than a regular episode but yet not so big that it felt unnatural in comparison to what went before. I really enjoyed it and I recommend both the series and the movie.
• Spiderman 3 - I reviewed this film when I saw it in the theater and , while it may be my least favorite of all three Spiderman films it is still enough fun that when it went cheap enough I knew I would enjoy it - I did.
• The Indiana Jones Trilogy - one more film to watch yet (although I saw them all a number of years ago) - I'm also looking forward to the disc of extras and the making-of documentary.
  

All in all, an excellent Father's Day once again!

Tim Russert

NBC News political analyst Tim Russert died suddenly today at age 58. He was probably my favorite political analyst. He had a relaxed style which I really liked and when he said something I just figured it was true - and it usually was. I well remember during the 2000 election when he got out his white board and started adding up electoral votes pointing out that it was still up in the air and showing how either Bush or Gore could win. That board became his partner for the rest of the evening. Just at the time that snazzy graphics were showing up on the screen, Russert showed that clear explainations were more important than flash. I'll miss his contribution to the news.

What's the trouble with Moralism?

My book is quoted in this article from the Calvin Institute of Christian Worship website. It's a good article with many other good links on the topic of faith formation.

Momofuku – Elvis Costello

A few months ago I saw that the Police were going to be playing the Arena in Grand Rapids and I thought "that's cool." But when I saw that Elvis Costello was the opening act I jumped at the chance and decided that it was worth the money. That prompted me to rediscover and discover (thanks to Bethany) much of Costello's extensive catalog. To put the icing on the cake, he had a new album, Momofuku, coming out on CD five days before the show I had tickets for. Perfect.

So I spent a lot of time with some of Elvis' albums reminding myself that I really liked My Aim is True, Mighty Like a Rose and his collaboration with Anne-Sofie Von Otter, For the Stars. I learned to love North and All This Useless Beauty and I once again was astonished at how Costello jumps from genre to genre all the while keeping his sense of melody and interesting chord structures. I will admit that his classical piece, Il Sogno, didn't do much for me, sounding somewhat like a soundtrack to nothing. But overall I was really really impressed. So when I read that Momofuku was Elvis with the Imposters, the same band that had done When I Was Cruel and the Delivery Man I wasn't real excited (because those aren't among my favorite EC records) but figured I'd pay 10 bucks so that I'd know the new music for the show.

I'm really glad I did because Momofuku sounds fresh, energetic and engaging in a way that many of Elvis' other recent albums don't. I like almost all of the songs and the performances are not over-thought. The album came about very quickly – hence the name, a reference to the inventor of instant noodles. Costello had no intention of making a record but when his band fell into place at a session for the next Jenny Lewis record he couldn't resist. This format suits Costello well and the album has an urgency that is infectious. From the open track, "No Hiding Place" to the finale "Go Away" Costello's legendary lyrical directness is in full force. And while it didn't jump out at me at first, hearing him perform "Flutter and Wow" in concert has made that song one of my all time favorites. Momofuku is an album that is best enjoyed if you're in the mood to listen closely but not too closely, to think about what you're hearing but not too much and to enjoy a great record rather than listen to the NEXT BIG ARTISTIC STATEMENT. But that is the main strength of this record - because Costello seemed to not try so hard to make that big statement he succeeded in make a great little pop record that's worth repeated listenings.

Ready to rock the RCA

This weekend the Reformed Church of America is having their General Synod in Holland, MI. Ordinarily that would get only a moderate notice from me since I belong to their sister church, the Christian Refomed Church, and RCA synodical decisions have only a minimal effect on me. But this year I have been asked to play guitar for worship for this group every day (except Sunday) for the next 5 days or so. I practiced once with the brass and string group for the opening and closing worship and tomorrow I practice with just a keyboard player for the morning prayer sessions. I'm looking forward to this for a couple of reasons: 1) worship services planned by my friends Ron Rienstra and Greg Scheer are usually awesome so these should be too 2) it is fun to play guitar 3) it is fun to lead worship on the guitar 4) it is fun to play with good players - and I will be.

So, watch out RCA - I'm ready to rock.

Preaching podcast

Preaching Magazine's Michael Duduit interviewed me about my book, Helping Our Children Grow in Faith, and now the podcast has been posted. You can listen to it here.

Old guys still rock – Phoenix by Asia

I was pretty excited for the first Asia album when it was released back in 1982 (a long time ago.) The band was a super group made up of four top-flight members of some of the best progressive rock bands in the world – or at least in England. Steve Howe, the guitar hero from Yes was at the top of my list because his playing always made me sit up and take notice. Geoff Downes, who had recently joined Yes after making his mark with the Buggles' hit "Video Killed the Radio Star," was going to be playing keyboards and, while Downes was no Rick Wakeman, the fact that he had done a stint in Yes put him near the top of my list of cool keyboard players. Carl Palmer from Emerson, Lake and Palmer would be on drums and I thought Palmer was a fabulous drummer so I was stoked for that. In fact, the person who I knew least well was John Wetton, bassist and vocalist for UK and, before that, for King Crimson, a band that I had always held in high regard but one I didn't know too well (yet – I would later listen to them quite a bit.)

In my imagination, the first album from this new supergroup would feature long – very long – songs with multiple sections, long instrumental passages and pompous but often incomprehensible lyrics. There would be a theme – something really huge like "our future as a human race" – that would weave throughout all the songs. And it would have creative artwork which had an other-worldly quality, preferably by Roger Dean who had done most of the coolest Yes album covers. Before I ever heard a single note I had all this figured out. After all, what else could these guys possibly deliver than something that would completely blow my mind?

When I eagerly snatched up their self-titled debut (on vinyl – this was 1982 after all) I was disappointed. I wanted the sequel to Close to the Edge, perhaps Yes' finest moment, or maybe the follow up to ELP's Brain Salad Surgery, both of which had 18-30 minute suites which defined the high point of progressive rock in the 70's. What I got was something quite different. The band decided that they would not go after overly complex heady progressive rock but, rather, they would shoot for short, radio-friendly songs which would actually get played on the radio (or the newly minted MTV) and might even be a hit. They produced songs which showed their love for melody and their instrumental chops without making an album that you needed a long attention span to digest. What I got was the pop sounds of "Heat of the Moment." It wasn't bad. In fact, it was quite catchy. And the synth horns that opened the track were pretty cool. Howe's guitar work was vintage Howe. It was simple but it was still complex in a cool progressive-rock kind of way. It wasn't what I expected but once I accepted it for what it was I liked it. The first album took off big time and was a massive hit. They were everywhere on the radio and on MTV. This was the biggest hit any of these guys had ever had. The four members of Asia had gone from the relative obscurity of the progressive rock confines to being a big arena-rock band. And when I listened with headphones the album had a lot of cool stuff going on. Steve Howe had overdubbed lots of interesting guitar parts and had used a whole arsenal of different instruments to make his patented Steve Howe sound part of the aural landscape. It was a great album. I was excited about the prospect of where they'd be going next.

Unfortunately it didn't last. When their second album, Alpha, was released it sounded like a Wetton/Downes album with Steve Howe relegated to putting a few guitar touches on as an afterthought and Howe left the band soon thereafter. The band tried to continue with other guitar players but they never caught the fire of that first album again. There has been a band called Asia around almost continuously since then but it was mostly Geoff Downes and whoever else he wanted to play with. For most of us Asia was the four guys who started it and the bands that followed may have done some interesting music but it wasn't the same – not even close.

Whatever personal stuff had kept the guys apart for all these years got sorted out and the band got back together a year or so ago and did an oldies tour. That went so well that they recorded an album of new material called Phoenix. I'm glad to say that the classic Asia sound is back. Phoenix sounds like the legitimate follow up to 1982's self-titled debut and, while Howe isn't quite as present as he was on their first album, he's definitely part of the mix. The players have aged, of course, but they still play and sing well. The lyrics still sound a bit pompous but it could be more a function of Wetton's rich baritone voice and of the backing track making almost anything sound that way than any issues with the actual lyrics. Wetton's recent health scares have caused him to reflect on the meaning of life and this comes out in at least a couple of tracks giving the requisite progressive-rock gravitas to some of the songs.

Musically, this album is one of the most melodic progressive rock albums in memory. It could almost be subtitled "the return of the power ballads" as they roll out one after another heartfelt, catchy melodies with powerful hooks and instrumental motifs that get stuck in your head pretty quickly. There are still things I wish for – Palmer's drumming in mostly unremarkable, although there isn't much opportunity for him to show the kind of chops he did on ELP's Tarkus, for example. Wetton's thunderous bass propelled many of the early King Crimson albums (especially Lark's Tongues in Aspic, Red and some of their live material from that era) but his playing on Phoenix is somewhat reserved. And I wish Steve Howe had been part of the basic track on more of the songs instead of being used primarily for instrumental flourishes. But it is the playing and songs of Geoff Downes along with the voice of John Wetton that defines Asia's sound and those pieces are intact. This is a fine album – one that I have found myself listening to a lot more than I expected. While it is quite different than most of the music that is being produced these days, fans of Asia's best work from the 80's will find much to like here and younger listeners might just find something new and interesting to try out.

John Legend covers "Pride"

Worth watching

Most helpful map EVER

Lynnae has to play violin in the school orchestra at Oakland Christian Reformed Church on Sunday night and she asked me where it was. I said it was out in the country. (Actually, I think I said "boonies.") She wanted to know where it was more specifically.

So, being an internet kind of guy I found their address on line and plugged it into google expecting a map. Here is the map that showed up. VERY HELPFUL! (click to enlarge)

Can’t Buy Me Love by Jonathan Gould

I finally finished Can't Buy Me Love by Jonathan Gould. It took me a long time because a) it is a long book and b) I've been quite busy lately. In the prologue, Gould writes that this book is unique in that it combines "three main perspectives – the biographical, the musical and the historical – in an effort to convey the full import of the Beatles' lives art and times." (p. 12) Gould is looking to do all these things in one book, something he claims no other book on the Beatles does. He succeeds on nearly all counts.

As for the biographical, Gould's book is not quite the definitive biography that Bob Spitz' recent book is – and it couldn't be, especially since this book is not as long and covers things that Spitz never intended to. That said, I wonder if a novice could read this book and get a sense for the whole story. I'm not sure. It struck me, at times, that one had to know the story of the Beatles to really understand what was happening in the book. For me, that was a good thing – I don't need five pages explaining things at a level that someone who is culturally illiterate would need. I just found myself wondering if this book was written primarily for people like me who has seen, heard and read it all as far as the Beatles is concerned.

The historical part I found especially enlightening and learned things about the band and the things that were influencing them that I had not learned. The part of the book that is WAY over the top for novices are track by track discussions of nearly each and every song in the Beatles catalog. While the discussions are enlightening and interesting, the level of detail sometimes goes beyond being a fan to being something else entirely. On the other hand, I really dug thinking about the songs that way, and thought that the critique was especially interesting on the Beatles' top albums, Revolver, Sgt Pepper and Abbey Road.

So if you've read at least one other Beatles book I highly recommend this one. It's very very good.

Switchfoot at Calvin College 4-5-08

I was pretty ready to see Switchfoot at Calvin College on Saturday night by the time they came out for their show. I have been playing Jon Foreman's EPs, Fall and Winter, a lot the past month, I had put their last two albums, Oh! Gravity and Nothing is Sound, on rotation in my ipod and I had them in the car. I went to the conversation with Jon Foreman in the afternoon and it was really excellent to hear him talk about his new EPs and his songwriting. We had a fairly quick dinner and then back to campus to wait in line for quite a while. While in the car I played "Stars" for Lynnae and said how it was my favorite song on the album. I sure hoped they'd play it. We got in about 45 minutes before the show was scheduled to start and then had to wait until TWO opening acts did their sets. Emory and Athlete both had 45 minute sets which were, for me, about 45 minutes too long each. To make things a bit worse Emory were really really really loud. To the point where I went to get earplugs. So, after all of that it was almost 10:00 by the time Switchfoot hit the stage. I was already tired and I hoped it was worth it.

Then the lights went down and the band took the stage with Jon Foreman going over to the piano where he sang the chorus from "The Shadow Proves the Sunshine" and when he got to the end of the chorus the band came in with a wash of sound which morphed into the amazing opening riff of "Stars." It was clear almost immediately that this band was not going to be content with merely playing album versions of their songs – they were rethinking and reworking them. I was immediately hooked. They went right from "Stars" in to "Oh! Gravity." The sound was great and the band was on target. By the fourth song Jon Foreman announced that this was the best audience of the tour and it felt like it. The crowd was very much into the band and the band responded with a high energy performance that left nothing in the dressing room.

Foreman is a really good front-man, reminding me of Bono in spots, the way he speaks between and during songs, the way his music deals with larger themes and how he seems to want to raise the level of conversation but also encourage all his listeners to be better people. Jon went out into the crowd at one point standing on the armrests of the seats just behind me. (The picture is my daughter Meredith with Jon Foreman right behind her.) It was clear that the band was watching him for cues on when to change the music around and that Foreman was free to improvise over the band because they knew what they were doing and they were following him well. I saw them a number of years ago outdoors and they've improved greatly since then. The addition of the two newer band members has allowed Foreman to have much more latitude in concert – he doesn't have to worry about playing guitar so much – he has other people to do that.

The concert ended with their hit "Meant to Live" after which Jon came out to do a solo song from his newest EP, Spring. Then he started a solo version of "Dare to Move" which was great but before he was finished with the first chorus the rest of the band joined him and rocked the song out to close out the show. I have liked their music on CD but I really didn't expect them to be that good in concert. I am now a big fan.

a blog milestone

I've mentioned before that my daughter Bethany is a bit of an internet celebrity. Her "Blog" of "Unnecessary" Quotation Marks has been written up by the Associated Press, the Chicago Tribune and even the Holland Sentinel!!!!

Today, her blog reached a milestone - she has had over one million page views. That is astonishing. Way to go, Bethany!