Reading / Listening / Watching – March 2008

It has been a while since I've posted so I thought I'd do an update of what I've been up to.

Reading

I'm a little past halfway through the brilliant new Beatles book Can't Buy Me Love by Jonathan Gould. I wrote about it before I started reading it and it is every bit as good as many of the reviews say it is. It does a great job of not only talking about the lives of the Beatles but it also puts that and their music in the context of the times and the political social and artistic changes that were happening in the world. On top of that there is a song by song discussion of each of their recordings. It really is special and, while it is a bit too in-depth to be anyone's first book about the Beatles, for someone like me who has read lots of books on the Beatles, I'm enjoying it immensely.

I have, for the past couple of years, participated in the Calvin Theological Seminary book of the quarter reading group and this quarter we're reading Elizabeth Strout's Abide With Me, a fascinating look at the life of a small town preacher who's wife's death has brought him, his young daughter and their community personal turmoil. It is only through allowing his church to see him broken and in need of help that he can once again effectively lead them. We'll get together three times to discuss the book, once with the author who is visiting Calvin for the Festival of Faith and Writing! It's a good book and I enjoyed it a lot.

Listening

Because I have tickets to the Switchfoot and the Police/Elvis Costello concerts coming up soon I've gotten back into their music lately and, while I've already expressed my love for Jon Foreman's EPs I have mostly lately listened to a lot of Elvis Costello and, I must say, that his gift for melody and for inventive song and chordal structure is really extraordinary. I have long thought "Couldn't Call it Unexpected" from Mighty Like a Rose was a prime example of this but I just lately came to love the album All This Useless Beauty. It is just packed with beautiful songs. And if you haven't heard For the Stars, his duet album with opera singer Anne-Sophie Von Otter, you're missing something truly special.

I have also enjoyed Bethany Dillon and Matt Hammitt's worship album In Christ Alone. Meant to be more a modern hymns album than a praise and worship album it takes a number of songs by Keith Getty and others and puts them in a more modern setting and does a credible job with them. Some of the tracks come across as sub-standard versions of very popular songs (the title cut, or "How Deep the Father's Love" for example) but others, most notably Getty's "Jesus is Lord" which is transformed to a hip, new uptempo version, work really well and gives me a new appreciation for the song.

Finally, in the flurry of new and old music that I've been enjoying, I'm ashamed to say that it took me a couple of years to finally pick up the amazing Before the Daylight's Shot by Ashley Cleveland. I should have known better since her previous album, the live You Are There, is one of my all-time favorites. It's just that she doesn't release albums' very often and so I forget just how good she (and her guitarist/husband Kenny Greenberg) is. Amazing stuff. Meant to be played loud.

Watching

I continue to work through DVDs and I'm getting near the end of both Season 6 of 24 (which is much better than I was lead to believe based on the "24 is losing it" buzz that I heard last season) and Season One of Veronica Mars which also I'm enjoying quite a bit. I must also admit to watching American Idol and I have to say that, while David Archuletta got off to a strong start, David Cook is really bringing it lately … dawg.

I also watched the film Enchanted last weekend and it was wonderful. It dragged only the slightest bit near the end but, as a send up of Disney animated classics it is really great. The songs are catchy and the effects are quite impressive. And Amy Adams is just too likeable as the soon-to-be princess. Even if there are no kids in your house, this one is too much fun to miss.

Together We Worship - again

A few days ago I wrote about The curriculum about worship that Laura and I wrote and recently published. Today it got mentioned in Dan Beerens' Nurturing Faith blog.

Thanks for writing about it, Dan!

Jon Foreman – Fall and Winter

Switchfoot has been an interesting band to follow over the years. They got their start in San Diego and were signed by Charlie Peacock to his fledgling Re:think label around ten years ago. Charlie told me over dinner one night (yeah, I had to work that in) that he didn't produce their album because he didn't want to screw it up. He thought they were pretty cool and I did too. Then they hit the big time by placing songs from their album in at least one high profile movie and they've expanded their band from three to five full time members. They've solidified their sound and they've recently left their label to go indie. I wrote nice things about their latest album, Oh Gravity, in this blog before.

I've been impressed with the way Jon Foreman, lead singer and principal song writer, doesn't go for any obvious CCM-type images even though that would have been a safe way to go early on. Their music is fun, challenging and interesting. I was excited to see that they're coming to Calvin College for a concert next month. I've already got my ticket.

What I found most interesting lately, though, is that Foreman has begun releasing the first two of four EPs named after the seasons. Initially released as online downloads, the first two were gathered together in a 2-CD set and released to stores a little while ago. I got the Fall and Winter set last week and I'm quite impressed. These are songs that clearly wouln't work well in a full band setting. Most of these songs are Foreman's acoustic guitar, his voice, and limited other instruments like a cello, a small brass group or a bass clarinet, of all things. The focus in front and center on the vocals and the songs and they're really fine. Foreman's voice isn't the kind of voice that gets me excited – he hits all the notes but there is an untrained quality to it that, while it oozes authenticity, isn't all that great when stripped of the trappings of the band. But in this case it works and it works well. A hat tip to Foreman and executive producer and guest keyboard player Charlie Peacock – he said yes this time – for giving us an album that sounds both well produced and yet makes us feel like we're eavesdropping on the way Foreman sounds when he's alone in his home.

With an album like this the sound of it could easily run together and sound the same after a while but I listened to both of these in succession this morning with my ipod and I found that the arrangements are different enough (and the albums are short enough) that I didn't have a problem with that at all. I found myself enthralled by these EPs and I can't wait for Spring to show up.

There is a Light that Shines in Darkness

Over the last few years I have often found myself awake at night (or at least very early in the morning) and I am thankful for my ipod. I pop in my earbuds and listen to music for a while. Sometimes I fall back asleep but other times, like this morning, I just lie there and listen for a while. I put the ipod on shuffle and enjoy the random set of music, all of which I like.

This morning one of the songs that popped up was Phil Keaggy's "All There is to Know" from his album Crimson and Blue. The emotional and lyrical centerpoint of that song for me is the line "There is a light that shines in darkness." Reflecting on that line this morning made me think about the book of Judges and how that book shows how the people of Israel drifted away from God. In that book we have a series of events all of which start with Israel forgetting about God and ending with a deliverer, a "judge," rescuing them from their bondage only to find themselves drifting away again. And things get worse and worse – by the end of the book we have two stories that show that even the Levites, the priestly tribe, had forgotten the way that God wanted them to live.

As that book ends things are in pretty bad shape. But then we read the little book called Ruth, a book in which we see that there is a light that shines in darkness and that light shines from Bethlehem. There is still at least one person, Boaz, who is honorable and who will redeem Ruth, not because of anything that she has done, but because of who she is. I like that book. I like thinking about what it might have been like between Ruth and Boaz. I find myself wondering what there was about Ruth that made Boaz notice her. I find myself wondering why God chose to bring in an outsider, Ruth from Moab, to continue the line of Judah which would become the line of Christ. The book of Ruth reminds me that even if things look grim God will not forsake us – not because of what we have done but because we are His people. These are the thoughts I had because I used my iPod this morning.

A Worship Curriculum for 4th – 6th Grade

About three years ago the director of the Calvin Institute of Christian Worship suggested that Laura and I might consider writing a curriculum that Christian elementary schools could use to teach worship. We took up that challenge and, over the course of that summer and the following school year, created the curriculum, Together We Worship. This week, we got our copies of the final product, now published by Christian Schools International.

I have fond memories of writing this curriculum. That summer Laura and I discovered the joys of walking out to the pier on the south side of the Holland channel, near the lighthouse. It was on those walks that we hammered out the ideas behind this curriculum. One of the great challenges was that we could assume very little with respect to what the children had experienced about worship. Worship services around North America can be quite different and we didn't know if these children were in churches that practiced a very traditional type of worship, a very contemporary form of worship or something in between. In addition, we didn't know what kind of training the teachers would have in thinking about worship so our notes had to be fairly extensive on the content of the lesson. On the other hand, because this was to be used by professional educators we could assume more teaching skills than we can when we write for Sunday School teachers. Another complication is that for other curricula we had written we had been given a format to follow – we had no such format for this unit because it would be a stand-alone curriculum and we really were starting with a blank slate. Those discussions happened often along the Holland channel and on the shores of Lake Michigan. We could jump in the car and get there in about 7 minutes from our house and that was a great opportunity to explore a part of Holland that we really hadn't explored before.

After our initial work was done the Institute invited 15 Christian schools from around North America to participate in a day-long workshop around our work. That consultation day happened almost exactly two years ago. Here is what I wrote at the time. We asked each school to send two teachers (often one classroom teacher and a music teacher) to spend the day with us and then to use the curriculum in their school and to send us feedback on what worked and what didn't. That day was great. Many of the teachers sent us good feedback and we revised the curriculum and then waited to see if we could get it published. Thanks to the work of a number of people the curriculum is now available in print and on CD. Special thanks to John Witvliet, the staff at the Calvin Institute of Christian Worship and the teachers who helped us revise this work. It is great to finally see it in print!

Watching and Listening winter update

Between commutes that, because of the weather, are often twice as long as they typically are (which means that most days I've been on the road for at least two hours) and some sort of cold/flu/virus that I'm fighting I've been listening to a lot of new music lately. I've also caught up on some DVD watching since Christmas. I tend to have a couple of series going at the same time. I almost never watch more than one episode of a show in one sitting so it takes me months to get through a series and usually days to get through a film. While that can blunt the impact of the film I typically don't have a couple of hours to give to one film at a time so I do what I can. I'm still in the process of getting to know most of these albums on this list so I haven't formed final opinions on but I'm working on it.

Indelible Grace V: Wake Thy Slumbering Children (CD) – Kevin Twit has once again assembled a wonderful batch of artists (like Derek Webb, Sandra McCracken, Jeremy Casella, Andrew Osenga and others) who have rewritten old hymns to give us the fifth in his Indelible Grace series. This set is perhaps a little less up-tempo than previous editions but on my second listening I realized how many beautiful melodies there are on this album and it has grown on me ever since.

Joni Mitchell: Shine (CD) – I'm still trying to figure this album out. Mitchell makes an, at times too strident, album about the environment which has only a little lyrical subtlety but her jazz/folk sensibilities and her amazing voice still come through. It is the opening instrumental, "One Week Last Sumer" though that really grabbed my attention.

Glen Hansard and Marketa Irglova: The Swell Season (CD) – I have heard from more than a few people that I need to see the film Once. The song "Falling Slowly" won an academy award for best song and Bethany got me to listen to the song and the album. This album has really caught my attention. It is full of emotion and careful, delicate instrumentation which set off the sometimes fragile voices in a way that really heightens the drama of these songs. I have played it multiple times a day for the past week and I just can't get enough if it.

Derek Webb & Sandra McCracken: Ampersand (CD) – They've appeared on each other's albums for years but this is the first time husband and wife Derek and Sandra have actually made an album (or in this case and EP) together. Technically it isn't released for two months but with a pre-order you get an immediate download and it has been a lot of fun to listen to. My immediate favorite track was a cover of Dylan's "If Not For You" with more than a little George Harrison influence.

Tift Merritt: Another Country (CD) – I had never heard of Merritt until her song "Broken" showed up on a Paste Sampler. I was so impressed that on the day the album was released I downloaded it from iTunes. While "Broken" still remains a favorite I am impressed with the rest of the album as well and I'm looking forward to hearing it more so that I get to know the other songs too.

Heroes: Season One (DVD) – I finished the first season of Heroes and enjoyed it more as the season came to a close. This is a smart, quirky show. I understand that the strike-shortened second season didn't quite deliver like the first one did but I'm willing to hang in there with them for a while because I really enjoyed the first season.

Firefly: The Compete Series (DVD) – I had not heard of Firefly until my daughters gave the DVD to me for Christmas. This series only lasted for a short season (11 eposodes plus three that never aired) but, just as it was being canceled it really got going well and the last three unaired episodes are among my favorite. The plot was continued in the feature film Serenity which I now have to see.

Across the Universe (DVD) – This Julie Taymor directed film based on the Beatles song catalog was an ambitious idea – how do you make a coherent plot out of a series of songs that were composed without any such plot in mind? The result is mixed. There are times in the film that work really well, like the prom dancing to "Hold Me Tight" or Uncle Sam pointing and saying "I Want You." There are also many things that seem to be there simply because there was a song that might work. After watching it and all the DVD extras I'm about ready to watch it again. My son tells me that he thinks it gets better on repeated viewings. I think that the plot will become clearer and I'll probably catch a lot more so I'm looking forward to seeing it again. The soundtrack, which I've had for a while, makes a lot more sense in the context of the film. They did a nice job of reimagining the music in the context of the film.

Bones: Season One (DVD) – It has taken Laura and me over two months but we're nearly done with the first season of the detective series Bones and we're really enjoying it. The characters are becoming more developed and the cases are varied enough to keep it interesting. I'm occasionally annoyed that Temperance Brennen, the lead character, can tell amazing amounts of things about someone from simply looking at a bone fragment but I guess if I'm willing to let characters fly around in a spaceship in Firefly I can live with a little suspension of disbelief in Bones. I like the interplay between the characters and mystery aspect of the show keeps me guessing.

Calvinism in the Las Vegas Airport – Richard Mouw

A week and a half ago I was about to take a trip to San Diego for a conference and knew I was going to carry my computer in it's backpack on the plane. I very much wanted to begin reading Can't Buy Me Love, the new book about the Beatles, which had arrived a few weeks ago but which I have not been able to start. That book, however, is rather thick and, as my computer is quite heavy already, I didn't relish carrying that book on my back through airports. I put that one in my suitcase (which I checked) and I looked for something thinner to take along on the plane with me. I went to the (rather large) pile of books that Laura and I have yet to read and selected Richard Mouw's Calvinism in the Las Vegas Airport because it was quite thin and it had the word "airport" in the title so that seemed like an obvious choice. Much to my surprise, I enjoyed it so much that I never took my Beatles book out of my suitcase.

Mouw's title refers to a scene in the Paul Schrader movie Hardcore in which a Dutch-American Reformed man from Grand Rapids is asked by a young woman what he believes. His response is that he believes in "tulips," referring to the acronym that has helped many of us remember and organize some of the doctrines that define Calvinist thought. Even though the movie character might have his theological head on straight he doesn't do a very good job of presenting his faith to this young woman. Mouw, however, does a splendid job of presenting the TULIP doctrine and of laying out the five points in a way that helped me think of them anew. While I have known this stuff for a long time Mouw's description is fresh and he brings great insights into how this doctrine fits into today's world.

Where Mouw really shines, though, is in the way he presents Calvinist beliefs as not a closed theology, designed to keep people out but rather as a particular view of scripture which, in his case, has been adjusted and affected by his experiences and by the writings of others. As I got to the end of the book I was reminded of Brian McLaren's Generous Orthodoxy. What I liked most about McLarens's book is that he seemed open to learning things about his faith from others – both Christian and non-Christian. Some probably think he goes a little too far in being open to other beliefs. While there were indeed parts of his book that caused me some consternation, I appreciated the spirit in which he wrote, a view that says that he has his beliefs but that he is willing to listen and learn. I believe that what Mouw lays out in his book is a "Generous Calvinism." Mouw isn't ready to compromise his beliefs but he is happy to listen and learn from others. He talks about his "hunches" and what things make him uneasy but does so with a clear love for the Canons of Dordt (a very old document laying out some of the basic tenets of Christian belief from a Calvinist perspective) but also a clear love for his brothers and sisters who don't share his theological perspective. It is this delightful tone which Mouw sets in this book that makes it so enjoyable and helpful. I highly recommend Calvinism in the Las Vegas Airport both for Reformed folks who could use a refresher course but also for people who just don't get what Calvinists are really about or who think of Calvinism as a dreadful set of doctrines. Mouw's book is a great place to start a dialogue.

A Hard Winter?

Think we're having a tough winter in West Michigan? Here is some data from Weather Underground

Statement as of 6:56 PM EST on February 19, 2008

... Record winter time snowfall set at Grand Rapids...

A record winter (dec through feb) snowfall of 87.6 inches has been
set at Grand Rapids as of 7 PM this evening. The previous record was
85.1 inches set during the winter of 1951-1952.

The record snowfall for February is 35.5 inches set in 1900.
Currently the total snowfall for February in Grand Rapids through 7
PM this evening is 34.3 inches. That puts February 2008 in second
place for the snowiest February on record. Since it is still snowing
at Grand Rapids it is more than possible that by midnight Grand
Rapids will also set the all time record for snowiest February on
record. February 2007 is now in third place with 33.6 inches of
snow.

This means that we've had the two worst Februarys in the last 100 years this year and last year. And note that this is only February 19 - we still have a long ways to go before winter is done. Maybe living in Holland and driving to Grand Rapids isn't such a great idea...

[EDIT] As of 7 AM on Feb 20 we broke the record:

... Record February snowfall set at Grand Rapids...

The record snowfall as of yesterday for the month of February is
35.5 inches which was set in 1900. The total snowfall for today is
0.3 inches since midnight.

Grand Rapids has now set the all time record for snowiest February
with 35.6 inches as of 7 am today.

Phil Keaggy – the Master and the Musician Tour at Calvin College – Feb 9, 2008

I'm stuck in the airport in Denver on my way home from the APCE (Association of Presbyterian Church Educators) conference in San Diego so, as long as I'm here for a while (like six hours) I thought I'd write a bit about last weekend – the Phil Keaggy Master and Musician Tour that I attended at Calvin College in Grand Rapids Michigan – where I'm trying to get back to before the day is over.

It was the second night of the tour and it is a remarkable show. Thirty years ago Phil released his landmark instrumental album The Master and the Musician, an album that has been a favorite of mine since I bought it back in the 70's. To celebrate the thirtieth anniversary he assembled a wonderful set of musicians to recreate the entire album on stage. Ric Hordinski was brought in to play guitar and lead the band, Tom Shiness played guitar and other things, John Sferra was on drums and there was also a flautist, keyboard player and a bass player.

The concert opened with Phil introducing the show by saying that the flute and keyboard player, a married couple, would open with an instrumental piece – an airy moody non-melodic piece to set the tone. Next Tom Shinness played a piece on his harp guitar and then the band came out and began the album. The album is about 50-some minutes long but playing it on stage took longer because there is some chatting between the pieces and some, like "The Agora," "Follow Me Up," and "Mouthpiece" were extended. Almost all the songs were done note-perfect which, frankly, was a little strange. I'm not used to rock musicians trying so hard to perfectly match what is on the recording and it felt a little restricted. That, however, does not mean that I didn't love it. I've been a fan of Phil's for years and his playing was, of course, mind-boggling. The whole band did a great job but I was once again impressed with Ric Hordinski's playing – he drew the short straw on recreating some of the more difficult passages from the album and he did them really well. It was really cool to hear the whole album done this way. Ric said that he cut his teeth on this album as a young player so it was a special treat to have a hand in doing it on stage with Phil. You could tell that the music was challenging but that the band had a great time pulling it off. I got the impression that it went better in Grand Rapids than it did the night before in Cincinnati.

The second set, though, was at least as good and I loved it even more. Phil played some of his classic songs from the 30-year ago era, songs that those of us who have been his fans for decades have loved but haven't heard him play with a band in a VERY long time. He played "Love Broke Thru," "Let Everything Else Go," and "Noah's Song" as well as a couple of more recent songs. He came back for an encore with "Time" and "What A Day." These are the songs that I learned to play on guitar many years ago and still play and sing quite often. I attended the show with my three youngest children, who are 21 and 16 years old, and Meredith, the twenty one year old said "this was like the soundtrack to my childhood." The set was short but it was truly wonderful and that set is among my all time favorite Phil Keaggy experiences. I've heard Phil in concert a lot over the years – something like 20 times – but I've never heard his band sound as good on these songs. Back in the old days when he did these he didn't have a band that nuanced the music like this one did. It really was spectacular.

I had a chance to hear some of the soundcheck and to connect with Phil and Ric a bit and that was a real treat. I've met Ric a couple of times before and it was really great to touch base with him. I've heard him in concert by himself twice now (or maybe three times) and he's worth hearing if you get the chance. Check out his latest recording, The Silence of Everything Yearned For. Wonderful stuff.

So, if the M&M tour is coming to your town make a point of hearing it – it was a great evening.

Another Beatles book?

Another Beatles book? Yes, maybe the best ever. | csmonitor.com

This is the second review that I read that said Can't Buy Me Love by Jonathan Gould is perhaps the best Beatles book out there. I recently got it and I'll be reading it soon. It will have to be very very good to beat Bob Spitz' biography of the Beatles (which I write about here among other places.) But, let's face it - the world is big enough for more than one great book about the Beatles so it doesn't have to be a contest. I'm looking forward to reading it.

EDIT: Ron asked for a link to the Amazon site for the book - here it is.

Catching up

I have been doing a lot of listening to music and watching DVDs lately and I haven't commented here about many of them so here is a quick summary of what's been going on.

Beatles – I'm near the end of the standard part of one of my trip-through-the-albums-in-order journeys. I just heard Abbey Road and Let It Be for the second time in my car which means that I will next turn to the two Past Masters CDs and then on to all the special ones like the Yellow Submarine Songtrack, Live at the BBC, the Anthologies, etc. so I still have a lot of listening to do. This trip has reminded me of how much I enjoy this music and of how much I'm ready for remasters – could they be announced today at the superbowl???

The Reminder by Feist – This CD appeared on many end of year best-of lists so I took a chance and ordered it and I'm really enjoying it. The combination of authentic, roots sounding songs and instrumentation with sometimes highly polished production gives the album a vibe that is different from what I'm used to. The best comparison I can make is Norah Jones' second album but that's not really fair to either of them. Leslie Feist's songwriting is unique and her vocals and very nice. Mostly though this is an album that feels authentic in a way that I really like.

A Place to Land by Little Big Town – I'm just getting into this CD but it is high on my playlist right now. Imagine the Eagles of their first four albums with a slightly more 21^st century vibe and you get the sound of this band comprised of two men and two women all of whom sing. Sample the album opener "Fine Line" to see what I mean.

Classic Artists: Yes – This three hour documentary (four by the time you're done with the additional interview footage) on DVD is great for fans of the 70's supergroup that keeps coming back for the faithful to see again every once in a while. It follows the twists and turns of the personnel changes with interviews from the vast majority of key players while keeping it lively and interesting. Not much performance footage but I have concerts on DVD of theirs so I really wanted the overview and interviews. It's a fine addition to any Yes fan's collection.

Lost – I watched the season 3 DVD to get myself geared up for season four and it's great, of course. This is one of my all-time favorite shows. I hope the writers strike doesn't screw it up too badly. The first episode of the new season rocked.

Heroes – I'm still watching the first season on DVD. I like it a lot so far.

Upcoming Phil Keaggy concert – Phil's Master and Musician tour is coming to Calvin College next weekend. A friend from PA was trying to fly out to see it but he was unable to make it so I'll go with my kids. I'm pretty pumped about this concert, perhaps the first time Phil has toured with a band other than Glass Harp in over 15 years.

I've also been reading, mostly professional stuff, but I am partway into the Golden Compass and just can't get into it. Maybe I'll give it another shot before I give up completely.

Symposium thoughts

After three long days of Worship Symposium I'm back home and ready to dive into the new semester. But first things first – for the next month you can hear Debbie Chavez interview me on KMGI radio from Bellingham, Washington. If you go here and scroll down to January 23 you can hear me in segments 2-5.

That was Wednesday night, the night before Symposium, so it was great for me to be able to do that (it was actually still afternoon on the west coast) and then move on to thinking more about symposium. I presented my session twice to a nice sized group (about 150-170 total over the two days I think) and also go to play bass with the Alternative Worship group as they lead a group in worship on Friday evening. It was a good experience for a lot of reasons, not the least of which is that my daughter Bethany and my good friend Ron were both leaders for this service and so I got to see a bit more of the behind the scenes stuff that went on. I also got to know Doug Gay, from Scotland, a bit and hung out with Luke Hyder from Milwaukee and local musician/friend Greg Scheer . We lead with three of Doug's songs written specifically for this occasion. It was cool.

The worship services were stellar, as usual, with the service lead by Calvin's LoFT team perhaps being my favorite. Trig Johnson preached and did a wonderful job and my daughter Meredith played viola along with the team (which she does often) but also got to accompany Michael Card. She got to know Card and Calvin Seerveld a bit by assisting them in their workshop on lament. It was really good.

I also got to hear Scott Hozee, Jane Vann, Dallas Willard and Richard Ostling (who was interviewed very nicely by my friend Nathan Bierma.) Where else can one have breakfast with Calvin Seerveld, lunch with hymn writers Rae Whitney and Ed Doemland, and share a walk with Lester Ruth? Or run into Jorge Lockward and Jimmie Abbington and have a brief chat on your way to get coffee.

They also handed out my new books (see them here and here) to the people who came. You can see the picture of the books all stacked up and ready to be handed out. One exciting moment came as Laura and I sat down to lunch with three delightful people who we had not met before. I looked over to see a woman sitting alone at a table reading my book. Pretty cool.

I'm already excited about next year.

Getting Ready for Worship Symposium 2008

This week is the 2008 Calvin Symposium on Worship. I've attended a number of these symposia, something like 10 of them, and I look forward to it every year. Some of the most well respected people in the field of worship leadership from a broad range of denominations and from around the world will be at Calvin College this weekend.

I'll be presenting twice about "Creating a Child Friendly Culture in your Church" and my daughter Bethany will also be presenting about emergent worship or something like that. It will be good to see her again - she's flying in from Georgia to speak. Laura and my daughter Meredith will also be there - Meredith will be playing in the worship band twice and helping Calvin Seerveld and Michael Card out by singing in their session. So it looks like my family will be well represented there as will two new books with my stuff in it: my new book, Helping Our Children Grow in Faith as well as Howard VanderWell's The Church of All Ages, in which I have a chapter on "Intergenerational Faith Development" and Laura and I have an additional chapter on "Intergenerational Connectors in Worship." Bethany has a short piece in it too!

Since Laura and I have attended so many of these we will see people we know and get a chance to visit with old friends. We're really looking forward to it. Then, almost immediately after that, the new semester starts! The night before symposium begins (Jan 23) I'll be interviewed on KGMI radio in Bellingham, Washington at 3:15 PST. Those of you in the pacific northwest (like Kent!) might want to listen in. it will be my first radio interview about my book but probably not the last, I'm already trying to find a date that works with a station in Philadelphia.

Amazing! Calvin prof Gary Schmidt wins 2nd Newbery Honor

Winning the Newbery Award is an amazing honor for anyone - my colleague Gary Schmidt has now doen it TWICE!

Calvin author wins 2nd Newbery Honor - Michigan News, Updates, Photos & Video | Detroit, Lansing - MLive.com

Radiohead: In Rainbows

I've gotten a bunch of new music over Christmas break - most of it from groups I had not heard much of before like The Spoons, Feist, Sara Bareilles, The National and Radiohead. I had not spent much time with Radiohead although I had listened to OK Computer a few times and enjoyed it when I was in the right mood. Their new album, In Rainbows, jumped to have a firm place in both my car and my iPod. I was thinking about what I liked about it and found this review, Radiohead: In Rainbows - PopMatters Music Review, that did a great job of summarizing much of what I like about the album so, instead of me writing this one, daunting since I'm not a huge Radiohead fan and many are calling this one of the top albums of the year, I'd just send you over to the review. I would especially like to point out this paragraph that nicely sums up what first grabbed me about the album:

Radiohead themselves seem to be ready to move on during opener “15 Step”. The song starts in well-traveled Radiohead territory—a heavy drum loop bumps and chugs along while Yorke’s trademark whine waxes paranoid, singing “First you reel me out and then you cut the string”. Jonny Greenwood layers some surges of static over all of that and the formula is set. That is, until a surprisingly docile, sliding guitar riff comes in, setting a contrast that carries through the entire album, where everything calm turns out to be decidedly not, and everything anarchic is more childlike and giddy than sinister. As the song pushes on, a battle arises as drummer Phil Selway takes on the drum loops, playing fast and precise as ever, and eventually he wins out. He finishes the song, and the rest of the record rests on his sturdy shoulders.

Ronnie by Ron Wood

I just finished reading Ronnie by Ron Wood, guitarist for the Rolling Stones and I enjoyed the book quite a bit. The book can be a little frustrating in times because at first Wood doesn't deal with things in a strictly chronological way which can be a bit confusing. And his discussion of his time in the Faces is pretty brief and mostly about destroying hotels. I would love to have heard a bit about the Rod Stewart solo album thing that Wood was involved in. Wood's book also seems to be mostly a series of anecdotes rather than a more organized look at his life, understandable since he spent most of it drunk or stoned. It appears that Wood is sober now although he still seems to have a rather casual attitude about drugs and booze. This is in sharp contrast to Clapton's autobiography which is really the story of his recovery. Wood's is a trip through his life of debauchery and, while he expresses regret at a few of the things that he did that were not very smart, most of the time he just laughs his way through them.

But, those issues aside, this is an engaging book and the writing is easy-going and fun. Wood's personality really comes through. It was my intention, since I'm not much of a Rolling Stones fan, to just dip into the book here and there. But the first chapter grabbed me so quickly that I soon found myself reading it all. Many of the characters in this book show up in the recent books by Eric Clapton and Patti Boyd (see my reviews here and here) so it is interesting to see yet another perspective on this. Ronnie is hardly the definitive biography of Ron Wood – it's not nearly comprehensive enough for that and there are too many anecdotes and not a complete look at his life. But it is an engaging look at someone who has lived the rock and roll lifestyle to the hilt and has lived to tell about it.

Apple Stores

Grand Rapids has an Apple Store and my son, an Apple fan, often gets me to go in there with him. It's not a hardship for me because the store is a great place and they have cool stuff. Apparently I'm not the only one who thinks that way. Here is a New York Times article that says the same thing.

My book arrives!

My book arrived! You can get your own copy here.

Phil Keaggy – The Master and Musician 30th Anniversary Edition

A little over thirty years ago, when I was a student at Calvin College, a band of Christian musicians came to campus to give a concert. The band was called Wing and a Prayer and it was many of the players from the influential band Love Song, which had recently disbanded. I got to hang out with them for the day as they set up and prepared to give the concert and their bass player Jay Truax asked me if I had ever heard of Phil Keaggy. I had not. He told me that I absolutely had to get a hold of his album, Love Broke Thru. I did and that was how I started listening to Keaggy's music. I have been doing it pretty consistently ever since. One of the first albums of Phil's that I bought as soon as It came out was The Master and the Musician, an instrumental album that was a real eye opener. Keaggy combined influences from rock, folk and jazz along with delicate arrangements to make a wonderful album that still remains one of his finest.

In celebration of the thirtieth anniversary of the release of Master and Musician, Keaggy has released a new edition, remastered and sounding wonderful, along with a bonus CD of out-takes, interviews and commentary. The sound on the remastered M&M is simply wonderful. The guitar sounds are clear and distinct and I am hearing things that I have never heard before. This has made a great album even better. The bonus CD is interesting but I don't think it is going to get lots and lots of play – it's the sort of thing you listen to while you're studying the album but not just for casual listening. The commentaries, interviews and alternate partial mixes are fascinating, though and will help me understand the album better as I listen to it anew.

This is a wonderful reissue of a landmark album. You can pick it up from Phil's website. (As you can see, I got a signed copy.)

The internet allows us to see the ghosts of Christmas Past

This is, apparently, from the 1978 Star Wars Holiday Special. This scene marks the "Life Day Ceremony." Any additional comment would be superfluous.